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Richard mille RM 68-01 Tourbillon Cyril Kongo

Richard mille RM 68-01 Tourbillon Cyril Kongo
Richard mille RM 68-01 Tourbillon Cyril Kongo
Richard mille RM 68-01 Tourbillon Cyril Kongo
Richard mille RM 68-01 Tourbillon Cyril Kongo
Richard mille RM 68-01 Tourbillon Cyril Kongo
Richard mille RM 68-01 Tourbillon Cyril Kongo
Richard mille RM 68-01 Tourbillon Cyril Kongo
Richard mille RM 68-01 Tourbillon Cyril Kongo
Richard mille RM 68-01 Tourbillon Cyril Kongo
Richard mille RM 68-01 Tourbillon Cyril Kongo
Richard mille RM 68-01 Tourbillon Cyril Kongo
Richard mille RM 68-01 Tourbillon Cyril Kongo
Richard mille RM 68-01 Tourbillon Cyril Kongo
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The RM 68-01 is the outcome of Richard Mille’s desire to introduce contemporary art within haute horlogerie in an unprecedented manner. Indeed, this tourbillon calibre is more than a watch, insofar as it also serves as a canvas for the inspiration and creativity of street artist Cyril Kongo.

A veritable ‘work of art for the wrist’, the RM 68-01 Tourbillon Cyril Kongo watch made horological history. For the first time ever, an artist has transferred his universe of the tremendously large to the heart of a watch movement.

Known internationally under the pseudonym Cyril Kongo, the graffiti artist Cyril Phan was born in 1969 and presently resides in Paris. A self-made man and artist, he launched himself to the top of the French artistic and cultural world as well as Europe and beyond within a space of a just a decade. His mastery of the discipline and his over twenty years of membership in the MAC CREW collective have established him as one of the legendary, major representatives of the world’s graffiti scene. Over the course of time, he has developed and expanded his artistic vision and approach cumulating in a fully articulate artistic maturity not defined merely by graffiti. Inspired by frescos and wall paintings, he has, in essence, transformed graffiti as a genre.

Never before has a work of art thus taken shape on the bridges and baseplate of a watch, becoming a truly integral part of the timepiece. Richard Mille and Kongo succeeded in taking an art essentially associated with large-scale urban murals and translating it for the horological world of micromechanics and precision, thereby making a leap from city walls to bridges, baseplates and sapphire dials of watchmaking.

 

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